Mappalujo by Jeff Noon & Steve Beard

Well here’s some fantastic news that Gary has been working on. The new Spectral imprint has re-signed the wonderfully talented, Jeff Noon & Steve Beard. Their amazing book, Mappalujo will be published by Spectral’s rEevolution imprint and the good news is we also have audio rights as well as print and ebook permissions.

So can’t wait for this one and many thanks to Jeff and Steve for supporting me personally by still having confidence in Spectral and of course Gary over at Tickety Boo Towers.

Here’s the blurb for one of the most anticipated science fiction novels of next year, Mappalujo by Jeff Noon & Steve Beard. Jeff is, of course, well known for his groundbreaking novel Vurt published in 1993, (which was followed by a sequel, Pollen, in 1995 and a prequel, Nymphomation, in 1997) and this is surely going to be counted amongst his best works to date.

Prepare to enter the world of Lujo, a city caught somewhere between reality and a dimension which may/may not be real…

Mappalujo is a shared dream set in the twilight realm of Lujo, a city dominated by the surreal cartoons and artificially bred toy creatures of the Zeno Entertainment Company. Since the company’s founder died in mysterious circumstances, Zeno’s visions have become darker and even more sinister. An identity-altering drug is leaking onto the streets. For a few brilliant, flickering moments users are transformed into famous or infamous celebrities, only to find that the other side of fame lies in the gutter, or in death.

The novel follows a lowly salesman, an information gatherer, a private detective and a teenage psychic. Four stories, four people – each of them connected to the bizarre fate of Zeno, its bitter heir, and a hostile faery spirit named Mama Lujo.

Here is one city’s epic tale told in seventy-five chapters, each influenced by a different iconic figure. From Lewis Carroll to Patti Smith, from Sigmund Freud to Raymond Chandler and Sophie Calle – the ghosts haunting the streets of Lujo are all conjured from the collective unconscious of the modern media age.

Mappalujo is baroque science fiction, tumbling with ideas and images, exuberant to the extreme. It documents a world only a few metres and a few minutes away from our own – yet stranger by far.”

You can pre-order here.

Publication date 15th May 2016

We have returned!

After a couple of months’ convalescence and restructuring, Spectral Press is back. We are moving forward, and to that end we are letting you know about a couple of books which will be coming your way within the next two months.

First is Dan Weatherer’s third collection Neverlight: A Father Darkness Collection, available from March 31st. Featuring a varied selection of tales from this up and coming author of the darker side of life, ranging from the traditional ghost story, through to psychological studies and thence to exploring some of our darkest fears. Available in Hardback which comes with a bespoke leather bookmarker. 

Are we mere puppets, a slave to the will of others?

Influence, an inescapable and unseen force exerted upon all of us.  Whether coming by way of our parents or our peers, via the media or education, can we ever say that we are creatures of free will, acting according to our desires and not of those around us? Influence is the white noise that bombards our every waking moment, clouding our thought, hindering our judgement. From it, there can be no escape.

Looking beyond our world, there are those beings that dwell beneath the surface of our planet, ancient entities twisted in their resentment of our freedoms, that would mean us harm. Theirs is an influence ancient in its origin, born from evil and cruel intent.  Their will presses upon us, calling out to our most primal instincts.  We, oblivious, heed their call.

Containing thirty-one short stories that showcase the unmistakable voice of Dan Weatherer, here is an author fast becoming fluent in the art of dark fiction. Are you ready for Neverlight?

Pre-order your copy HERE

 

Halloween design with haunted house

This will be followed on April 16th by Spectral’s first collection of weird poetry, Songs of the Shattered World: The Broken Hymns of Hastur edited by John Allen, works inspired by Robert W. Chambers’ The King in Yellow.  This chapbook is beautifully illustrated by Lyn Jenner (see below) and also comes with a bespoke leather bookmark.

The Songs of the Shattered Earth” is a yellow laced tribute to the King who finds ruin in all things. Departing from his predecessors in the concoction of decadent ruin, this is a volume of weird poetry to be coupled with Brennan, David Park Barnitz, defying the commercialized norm.

Aubrey Beardsley and Robert W. Chambers meet in original horror once again with poets like Bruce Boston, Eric Basso, Lee Ballentine and editor John Thomas Allen.”

To order, just click HERE

 

 

 

 

Mappalujo: the blurb

"Mappalujo" ©2015 Jeff Noon & Steve Beard/rEvolution SF. Artwork and design by John Oakey ©2015 .

“Mappalujo” ©2015 Jeff Noon & Steve Beard/rEvolution SF. Artwork and design by John Oakey ©2015 .

Here’s the blurb for one of the most anticipated science fiction novels of next year, Mappalujo by Jeff Noon & Steve Beard. Jeff is, of course, well known for his groundbreaking novel Vurt published in 1993, (which was followed by a sequel, Pollen, in 1995 and a prequel, Nymphomation, in 1997) and this is surely going to be counted amongst his best works to date. Prepare to enter the world of Lujo, a city caught somewhere between reality and a dimension which may/may not be real…

Mappalujo is a shared dream set in the twilight realm of Lujo, a city dominated by the surreal cartoons and artificially bred toy creatures of the Zeno Entertainment Company. Since the company’s founder died in mysterious circumstances, Zeno’s visions have become darker and even more sinister. An identity-altering drug is leaking onto the streets. For a few brilliant, flickering moments users are transformed into famous or infamous celebrities, only to find that the other side of fame lies in the gutter, or in death.

The novel follows a lowly salesman, an information gatherer, a private detective and a teenage psychic. Four stories, four people – each of them connected to the bizarre fate of Zeno, its bitter heir, and a hostile faery spirit named Mama Lujo.

Here is one city’s epic tale told in seventy-five chapters, each influenced by a different iconic figure. From Lewis Carroll to Patti Smith, from Sigmund Freud to Raymond Chandler and Sophie Calle – the ghosts haunting the streets of Lujo are all conjured from the collective unconscious of the modern media age.

Mappalujo is baroque science fiction, tumbling with ideas and images, exuberant to the extreme. It documents a world only a few metres and a few minutes away from our own – yet stranger by far.”

Preorder your copy today – copies are already being snapped up so get one while you still can!

ALL PRICES INCLUDE POSTAGE AND PACKING

LIMITED SIGNED HARDBACK (75 only)

http://shop.ticketyboopress.co.uk/index.php?id_product=101&controller=product

PAPERBACK

http://shop.ticketyboopress.co.uk/index.php?id_product=102&controller=product

Yellow Book interview

Sometime earlier this year I posted the news that Spectral is going to publish a pamphlet of poetry in April 2016 (via Theatrum Mundi), reminiscent of the Yellow Book journals of the late 19th century and based around the King in Yellow mythos, edited by John Allen, called Songs of the Shattered World: The Broken Hymns of Hastur. Here’s an interview with the editor, originally posted to Thomas Ligotti Online, which gives an interesting insight into the interpretation of Robert W. Chambers’ creation. 

king_ace

A King in Yellow Q & A With John Thomas Allen

John Thomas Allen is a part of the online weird fiction community, maintaining Facebook pages devoted to surrealism and Richard Chambers’ King in Yellow. As a result of this devotion, he and a group of fellow-minded writers now have an anthology of poetry centered around the Yellow King and all things Carcosian appearing in the near future. Over the course of our discussions, I had the opportunity to ask Allen a number of questions about everyone’s favorite golden-hued otherworldly monarch, to explore some of the mysteries, and explain his own fascination with the Yellow King.

Q: How and when did you first encounter The King in Yellow, and what sort of effect did it have on you?

I borrowed an edition that was a dark yellow hardback, no cover illustration, from a University library and I don’t think I ever returned it. I was feeling especially forgetful at the time. That got to be a big thing. I got in trouble for not returning the book, serious financial trouble.
It wasn’t just that book, but they almost brought me to court on that one and a few others. Let me tell you something, when you have a guy at your door with a ticket for a prospective court date and on the summons is something for the King In Yellow, you’ll think about it a lot more.

Q: At the time Chambers was writing, the color yellow had become associated with corruption and decadence ( The Yellow Book , etc.); what sort of significance, if any, does ‘yellow’ possess for you?
Yellow is an inherently fascinating color, I think. I don’t why, specifically, but when I hear about the word “yellow” I think of madness, decay, death before I think about anything beautiful in nature. I grew up reading decadent poets like Ernest Dowson, Thomas Beddoes, etc.
Like probably every other quote on quote “literary” person, I’ve fantasized about drinking absinthe with Verlaine or snorting something with Sara Teasdale in the rain or whatever and dying some fanciful death you can never really die.

Q: Speaking of the Decadent movement itself, do you think it shares any special connections or connotations with the King in Yellow mythos?
I’m in love the idea of the King In Yellow; there’s something of a color coordinated majesty about Chambers’ idea that synthesizes the blood starved, ghastly iridescence of the so called “Decadent movement”. I like my idea of the Decadent movement probably more than what I would see if I went back and saw Maurice Rollinat bang away on his piano or, tangentially, watched the habits of Isidore Ducasse for a few days. To answer your question I absolutely do see a connection between Chambers’ stories and the collection of individuals who were later negatively termed “decadents”.

Q: The creations of some authors of weird fiction, such as Lovecraft’s ‘Great Old Ones’ and Machen’s ‘little people’ for example, can be read as expressions or embodiments of the personal beliefs of their creators; did Chambers intend the King in Yellow to retain a similar meaning? If so, how do you interpret him?


As a person who aspires to be an individual artist and write supernatural prose (Though I’m ordinary and boring enough to have started a surrealist group and stood with that group as one of them; ergo I’ll never be cool as Paul Valery and his disciples.), I don’t believe you can write anything with that kind of sustained genius and not attach a personal meaning to it. For all I know, the King In Yellow might exist in a non ironic and non symbolic and non reductionistic way.

KIY01

Q: While The King in Yellow is typically categorized as ‘supernatural fiction’, Chambers’ stories also contain such elements as Poesque psychological horror, near-­future alternate history, symbolist/proto-­surrealist phantasmagorias, and the conte cruel; it is fair then to classify Chambers amongst the authors of weird fiction, or does he deserve a different place in the literary canon?
Whatever play is being read by the characters in Chambers stories is not something one could reproduce. It drives people mad (it doesn’t give them a mental illness treatable by a psychotropic; it drives them mad, a word brought into question by the NIMH) and creates a venereal, polluted atmosphere.
I couldn’t go buy that at Barnes and Nobles and no amount of discouraging logical positivism is going to drive one mad either. Therefore, I personally conclude it is supernatural..which is to say a phenomenon outside the bounds of space, time, and any kind of limitation whatsoever by physics or human and natural laws.

Q: Throughout its history, The King in Yellow has become a sort of collective creation; Chambers originally created the ‘Yellow King’ stories by dramatically expanding upon several short Ambrose Bierce pieces, HP Lovecraft in turn incorporated Chambers’ mythology into his own fictional universe, and numerous writers since have used these texts to build and flesh out further connections. What is it about The King in Yellow that lends itself to this sort of group effort?

To use a bit of hippy jargon, I think Chambers takes us for a moment into the forbidden zone philosopher Norman O. Brown wrote about and suggests what might happen if every degenerate, cackling impulse flew out of the ovulating giggles of our really strange, semiotically balanced psyches.
Mr. Castaigne, for instance, in “The Repairer of Reputations” is a hilarious caricature of a brain damaged nutcase. Ever met anyone with a brain injury who behaves quite like that? Probably not. But Chambers’ suggestion, that an event as simple and horrific as falling off a horse could bathe one in the fetid areas of the psyche permanently is so believable when you read the story.
He does what great horror writers do: he makes us fear ourselves, the world around us, and above all, the world within.
“In the Court of the Dragon” takes a bunch of young artists and makes their Sturm und Drang real. At first they have the average sort of ‘let’s paint something or do something but gave affairs first.’ Somehow, someone gets a copy of ‘The Yellow Book’ and boy, do things get real.

yellow-historical

Q: The King in Yellow is not just the title of a book; it is also the title of a play and the name of an otherworldly entity appearing within that book; what does this interplay of meaning and identities (potentially metatextual) suggest or conjure up for you?
I suspect that the color yellow is no more inherently disturbing than any other color, but I like to think it actually is because of my literary enthusiasms and the imaginative potency it now possesses. The King In Yellow could just as easily have been some obscure 60’s band, like The Crystal Chandelier or the Velvett Fog, or been a song lyric in one.
But Robert W. Chambers put this uncanny phrase into a series of powerful stories (as powerful, to my mind, as anything Lovecraft wrote) that Derleth later called mythos. Me? to me it suggests some sort of supernatural, immaterial, immanent antihero composed of spectral hues with an unfathomably disgusting book written in bitter calligraphy. I love it!

Q: Characters in The King in Yellow who read that titular play find afterwards find reality undergoing strange mutations; have you ever felt haunted by any of Chambers’ tales, and in what way?

Yes. Once, in college, I was watching a movie that every dystopic or antinatalistic or pessimistic would love called Pate by directorAgnieszka Wojtowicz-Vosloo.
It really should be on DVD, as it is a horrific and slow meditation on the nonsense of social mores and a sort of elegant, refined cannibalism–as elegant and refined as that can get.

A friend of mine who was slightly sinister offered me some Kava tea, claiming Kava was known to calm people down. I just had this thought: it’s kinda weird, us watching this beyond desolate movie and everyone being lulled to sleep with the herb which I hated. Then I noticed the 1989 Dedalus copy of The King In Yellow on his bookshelf. I got creeped, and I actually left after awhile…..with the copy of the book I’d given to him.

Q: Which of Chambers’ Yellow King stories and has had the greatest effect upon you, and why?
In the Court of the Dragon.”
Just how he rips away youth and innocence. It’s like someone threw acid on the immortal souls of everyone in the story.

Q: Many other notable weird writers, including the likes of Karl Edward Wagner and Joe Pulver, have also fallen under the spell of Carcosa; what is your favorite contribution to the King in Yellow canon not written by Chambers?
Hands down, Don Webb’s short “Movie Night At Phil’s.” That story explored this world where a fictional movie with Vincent Price entitled “The King In Yellow” drives a fairly normal household insane. It was perfect.
Don is going to be in our anthology Songs of the Shattered World: The Broken Hymns of Hastur, which has a stated release date of April 1st, 2016 from Spectral Press. Simon Marshall Jones is a warrior, one of the finest publishers I’ve ever worked with. He took this project on very short notice and displayed a generosity one rarely sees.
Yeah, Joe Pulver put that collection together, A Season In Carcossa, I just remembered. I enjoy fiction and poetry that’s more about suggestion and less about an outgoing, look at the violence here, that kind of thing, though of course that has a place.
And Karl Edward Wagner, definitely! I love what he did for Howard, who I think had a beatifically manic case of the crazies. He’s still not appreciated enough (though of course some of that is his own fault.) Wagner was like the Roky Erikson of the KIY “mythos”.

Q: What is the significance of the actual King in Yellow himself to you? What does he mean, and why is he frightening?
To me, he represents that which has absolutely no context. An embodied obscenity that embosses SIN across everything, like Mucha. He’s like Keyzer Soze in a less corny, postmod movie. Also I associate him more with poetry than macabre fiction, and I’m primarily a poet.

Q: A year after the whole True Detective affair, what do you feel about the show in connection to The King in Yellow ; has the effect it has had on the Carcosa mythos been negative, positive, or somewhere in between?
I certainly would not have seen a Barnes and Nobles edition of The King In Yellow without True Detective. That made my day, just seeing it there like that. The thing about True Detective I loved was that it brought that Ligottian feel in a way I hadn’t seen before anywhere.
The thing is when a philosophy–and I’m mostly friends with antinatalists, though I happen to be a Roman Catholic–tries to attach itself to everything, some of the pure magic of horror is lost. And while I loved a lot of True Detective, I don’t think everything always has to point to the perceived worthlessness of existence. It gets old. When we insist that this is what that writer meant by this story, etc etc, and everyone falls in lockstep, that dangerous magic get sealed up. Funny, one might think, or God forbid a Catholic talk like that. We are old enough!
But, like my friend Mark Samuels (also in the anthology), I feel mysticism has a place that can never be annihilated. One might say nihilism needs mysticism, and the reverse. Plus, Machen, Blackwood and James, you know, weren’t atheists or antinatalists or anything like that.
I personally wouldn’t want St. Thomas Aquinas to be the philosophical lynchpin of everything I read in terms of theology, you know? But Thomas Ligotti wrote such a great book with the Conspiracy. Every word weighed, everything taken into the most minute consideration.

People posting antinatalist videos doesn’t bother me a bit, even on my YouTube channel.

Q: Conceivably, what is the impact you would like to have this anthology to have, both as poetry and as a contribution to the Yellow King canon?

I hope this will be a fallback to Aubrey Beardsley’s Yellow Book; that’s the goal. An authentic Yellow Book filled with some of the most talented Yellow poets you could imagine, decadent as Mario Praz would have had it.
Thinking about this even makes a Coldplay song sound good. I want it to be an ultra-refined treat for fans of poetry AND fans of the macabre, as I think Chambers was thinking more of poetry than prose when he wrote his stories—or the spirit of poetry.
Speaking of music, I’m surprised none of the champions of the KIY have discovered an acoustic/ambient group entitled “Thus Sayeth The King”; you can download their first album on Bandcamp for 10 bucks.

crocKIY

A little self-indulgence

“Bibila Longcrofta” ©2015 Simon Marshall-Jones/Tickety Boo Press. Artwork ©2015 Jim Burns.

Remember a while back we told you that Spectral Press owner/editor-in-chief Simon Marshall-Jones would be having his debut collection of short stories published soon? Well, we can tell you that Biblia Longcrofta will be released into the multiverses on June 30th 2015 and that you can order copies if you so desire from HERE. In the meantime, feast your eyes on the splendiferous Jim Burns cover shown above….

“Biblia Longcrofta by Simon Marshall-Jones, publisher and editor at award-nominated Spectral Press, is a series of connected short fiction stories, semi-autobiographical in nature, set in the imaginary town of Longcroft. Although it has no precise geographical location in the ‘real’ world, nevertheless it is located somewhere on the northern coastline of Britain. It exists contemporaneously and separately in a different time stream from the rest of the world, the reasons for the split lost in the mists of time.

It is no ordinary town, however – here miracles happen on an everyday basis, and the numinous and marvellous sit side-by-side with the banal and mundane. Into this wonderland comes a tattooed stranger called Simeon, a man bored of his old life, but still unsure of what his place in the world is, who he is, and what purpose he has. Through a series of connected incidents, he comes to understand the world around him, and the person he is. Along the way he meets wonders and living myths and, through interacting with them, he finds his true destiny – however, it’s not what he was expecting nor what he would have chosen for himself.”

Simon will also be happy to sign copies for anyone who asks – we will have copies for sale here as well. Contact Simon at spectralpress[AT]gmail[DOT]com for payment details.

Cover reveal: Spectral Book of Horror Stories 2

Spectral Book of Horror Stories 2, edited by Mark Morris - ©2015 respective individual authors/Spectral Press. Artwork ©2015 Vincent Chong

Spectral Book of Horror Stories 2, edited by Mark Morris – ©2015 respective individual authors/Spectral Press. Artwork ©2015 Vincent Chong

Vincent Chong has done it again – he’s provided the absolutely stunning artwork (see above) for the cover to the 2nd Spectral Book of Horror Stories, edited once again by Mark Morris. And in about three or four months we should be able to reveal who has made it into the second edition of this prestigious annual horror anthology. In the meantime, you can preorder your copy right now. Even better, if you’re going to FantasyCon 2015 in Nottingham in October then you get pay for your copy now (saving postage) and get it signed at the convention.

It’s going to be one hell of a tasty selection!

 

The inaugural Spectral Book of Horror Stories is still available to purchase.

Spectral Book of Horror Stories, edited by Mark Morris - ©2014 respective individual authors/Spectral Press. Artwork ©2014 Vincent Chong

Spectral Book of Horror Stories, edited by Mark Morris – ©2014 respective individual authors/Spectral Press. Artwork ©2014 Vincent Chong

 

SBoHS 1 – DLS Review

Spectral Book of Horror Stories, edited by Mark Morris - ©2014 respective individual authors/Spectral Press. Artwork ©2014 Vincent Chong

Spectral Book of Horror Stories, edited by Mark Morris – ©2014 respective individual authors/Spectral Press. Artwork ©2014 Vincent Chong

Reviews are still coming in of the debut volume of The Spectral Book of Horror Stories edited by Mark Morris – case in point is this latest one from DLS reviews, written by Chris Hall – hop over to the site by clicking HERE to read his verdict.

THE SPECTRAL BOOK OF HORROR STORIES – PRICES INCLUDE POSTAGE!

£12.50 UK

£15 EU

$30 US & RoW

Don’t forget that the second volume, which Mark is working on at the moment, will be with us later this year – you can preorder that one below (and there’s also a special preorder option for those attending Fantasy Con 2015 in Nottingham – save on postage!).

THE SPECTRAL BOOK OF HORROR STORIES vol 2 PREORDER – PRICES INCLUDE POSTAGE!

£12.50 UK

£15 EU

$30 US & RoW

FANTASYCON 2015 PREORDERS

If you’re going to be attending FantasyCon 2015 this year in Nottingham, UK, where this book will be launched, then why not take advantage of this offer of preordering your copy and then picking it up at the event? Overseas visitors can save postage and spend what they’ve saved on books and beer! 

£10UK & EU

$15US & RoW

Darker Terrors full contents list

'Into the Fire' by Les Edwards ©2014

‘Into the Fire’ by Les Edwards ©2014

‘Very creepy stuff!’

—John Landis, director of American Werewolf in London

and Michael Jackson’s Thriller

This is the moment you have been waiting for – the full contents list for the Darker Terrors: A Best of Dark Terrors volume coming this October from Spectral Press. Quiver in delicious anticipation at this TOC:

Foreword – Stephen Jones

More Tomorrow –Michael Marshall Smith
I’ve Come to Talk with You Again  – Karl Edward Wagner
A Really Game Boy – Brian Lumley
To This Water – Caitlin R Kiernan
The Museum on Cyclops Avenue – Harlan Ellison
Free Dirt – Ray Bradbury
Self Made Man – Poppy Z. Brite
The Wedding Present – Neil Gaiman
Family History – Stephen Baxter
Inside the Cackle Factory – Dennis Etchison
My Pathology – Lisa Tuttle
At Home in the Pubs of Old London – Christopher Fowler
Barking Sands – Richard Christian Matheson
Destroyer of Worlds – Gwyneth Jones
The Retrospective – Ramsey Campbell
The Two Sams – Glen Hirshberg
The Prospect Cards – Don Tumasonis

Afterword – David A. Sutton
Appendix: Index to Dark Terrors

 

Skull image

 

Spectral Book of Horror Stories 2: pre-orders

Spectral Book of Horror Stories, edited by Mark Morris - ©2014 respective individual authors/Spectral Press. Artwork ©2014 Vincent Chong

Spectral Book of Horror Stories, edited by Mark Morris – ©2014 respective individual authors/Spectral Press. Artwork ©2014 Vincent Chong

Mark Morris, editor of this annual anthology, has received over 600 submissions for this already, and the deadline isn’t until June 30th. We have a feeling that this is going to be a good one, more than following the high standard set by the first volume. Even though it’s not available until October this year, given the popularity of the inaugural edition we are putting it on pre-order now for those who would like to secure a copy ahead of time. The prices will be exactly the same as last year. Also, like the first volume, the cover will be by the award-winning Vincent Chong, whose artistic kung-fu is legendary (see his cover for the the first one above).

THE SPECTRAL BOOK OF HORROR STORIES vol 2 – PRICES INCLUDE POSTAGE!

£12.50 UK

£15 EU

$30 US & RoW

FANTASYCON 2015 PREORDERS

If you’re going to be attending FantasyCon 2015 this year in Nottingham, UK, where this book will be launched, then why not take advantage of this offer of preordering your copy and then picking it up at the event? Overseas visitors can save postage and spend what they’ve saved on books and beer! 

£10UK & EU

$15US & RoW

Coming up soon: two new books

Spectral Press logoNews of some two new books due to arrive in mid-2015:

THE BUREAU OF THEM by Cate Gardner

First, we have Cate Gardner’s new novella The Bureau of Them, due to be published in June and launched at this year’s Edge-Lit event in Derby in July (alongside Mark Morris’ Albion Fay and Stephen Volk’s Leytonstone). Expect a story of Cate’s trademark dark surrealism and slightly-twisted realities, plus a cover from David Chatton-Barker which will be with us in a couple of weeks. In the meantime you can preorder the limited hardback and the unlimited paperback:

LIMITED HARDBACKS

£21UK

£24EU

$50US & RoW

PAPERBACKS

£12.50UK

£15EU

$40US & RoW

BACK FROM THE DEAD edited by Johnny Mains

Terror by Night - cover for Johnny Main's "Back From the Dead". Artwork © 1974/2013 Les Edwards.

Terror by Night – cover for Johnny Main’s “Back From the Dead”. Artwork © 1974/2013 Les Edwards.

Some years ago, Johnny Mains issued this eBook only volume of stories with the subtitle The Legacy of the Pan Book of Horror Stories. Spectral will be reissuing it with new material in paperback in May, with a cover by Les Edwards (see above). Preorder on the buttons below:

£12.50UK

£15EU

$40US & RoW

Look forward to hearing from you!